Thank you everyone for coming here on such short notice. We are gathered here today to— Hey, you in the back with the headband, quiet down! Damnit, where was I….? Right. We are gathered here today to celebrate the life of Trigger Keaton, a man loved by— HEY! Stop throwing tomatoes at me! The casket’s over there!
You know what, I’m skipping the rest of this script. You know why we’re here. The first issue of The Six Sidekicks of Trigger Keaton, written by Kyle Starks and illustrated by Chris Schweizer, is out today. I’d like to thank the five panelists gathered here today for actually responding to the invitation, even if one of you scoundrels keyed my car. But I digress, let’s hear what each of you have to say about a man we all tolerated at best, and loathed on average.
The Six Sidekicks of Trigger Keaton is about an extremely unlikable action star whose former TV sidekicks team up to investigate his murder. Starks never misses an opportunity to showcase Keaton’s terrible behavior, but the character never feels too exaggerated or over the top. This isn’t a caricature, so when the TV sidekicks are introduced it’s understandable that they have complicated feelings about the death of Trigger Keaton as they attend his memorial service. The sidekick introductions are smartly done with names and sidekick number, along with panel inserts giving a glimpse of an article or TV Guide entry for the TV show they were in with Keaton. They are all very different and the characterization work is strong, but also Schweizer’s design for each character makes them stand out in their own way.
The biggest takeaways from The Six Sidekicks of Trigger Keaton are its sense of humor and action scenes. Terry Komodo is brash, obnoxious and probably the only former sidekick with anything nice to say about Keaton, so there’s plenty of comedy to be mined there, but Paul Hernandez has a subtler, dryer wit and this comes across too in the panels. The opening panels provide some action for Schweizer to show off a little (the “SPIN KICK!” and “LEG SWEEP” SFX are great too), but the end fight scene is tremendous both in how dynamic Komodo looks fighting, but also the movement and anxiety in Hernandez attempting to avoid the fight.
Overall, this was a fun first issue that was funny, with great action and a compelling mystery at its center that fans of Rock Candy Mountain and Assassin Nation are sure to enjoy.
Bobby Varghese Vinu
While this is an interesting premise, the first issue seems to move at a rather fast pace to the detriment of the story that’s being told. It can be rather jarring with certain scenes, and it disrupts the story’s flow at times. However, not all is imperfect.
The supplementary material for this comic is fascinating as while it is a recounting of an incident involving the man, it adds to this issue’s depiction of who Trigger Keaton is, which is all too relevant when considering the behaviour of certain people in Hollywood towards those they deem “lesser.” There’s also potential here for character exploration with his former “sidekicks:” the actors who he burnt bridges with thanks to his attitude. Even as a posthumous character, he still lives through the protagonists
And the art is excellent. There’s a sort of vintage pop culture aesthetic with the colours used by Schweizer, which is very cool and fitting for the story being told. It blends well with the cartoony linework used by Schweizer, giving me the impression of a late night cartoon on Adult Swim.
Trigger Keaton was Bonafide Pictures’ cash cow, having had a contract with them for an unheard-of twenty-five years. This security gave Keaton the freedom to act without regard to others or even his own wellbeing. In a not so surprising turn of events, Keaton, “the world’s most unlikable action star”, is found dead in his trailer. With the police uninterested in looking deeper into what they have prematurely deemed a suicide, it’s up to those he’s scorned the most to get to the bottom of the mystery.
The Six Sidekicks of Trigger Keaton finds a ragtag group of Keaton’s former and most current onscreen sidekicks gathered at a publicity event after the discovery of his body. They will need to set aside their personal biases and issues to work together.
This was a visually pleasing story to get into. It had a lot going on without being too busy. I really enjoyed the title cards introducing the Six, as well as the panels highlighting their Hollywood connection to Keaton along with the fallout attached to their projects. I was especially entertained by Sidekick No. 6, Miles Nguyen, Keaton’s most recent on-screen partner. I got big Phoenix Wright, over-the-top, wannabe detective vibes from him and it just worked so well with the rest of the crew.
This was a great first issue that definitely reeled me in for the rest of the series.
There’s something about comics that makes the medium a prime breeding ground for legendary asshole characters, and Trigger Keaton is determined to sucker-punch and leg-sweep his way into that pantheon. It helps that he’s doing it in a book that’s incredibly warm, funny, and fully committed to its nutty premise.
There’s a lot to love here, from the clear personalities of each sidekick to the wonderful character acting. I was able to read this issue on my phone without having to zoom in to parse what was happening (though I still did anyway, the art’s just too delightful). Schweizer’s style won’t be for everyone, but he deserves the attention of anyone who cares about cartooning. Lovely colors, too!
Starks has a great ear for dialogue and which writing style is appropriate for which situation. Whether it’s a tawdry celeb profile, a TV guide listing, or a canned speech to the press, everything sounded right to me. It’s that kind of attention to detail that makes for a great crime farce, and I am definitely along for the ride.
The Six Sidekicks of Trigger Keaton #1 is a joke-dense action comedy ride from writer Kyle Starks and artist Chris Schweizer. Using press clippings and flashbacks, they construct one of the most unlikable characters, period, kill him off, and then set up a stone-cold whodunit. Keaton is a lot like how I imagine Chuck Norris to be like when the cameras are off. However, Six Sidekicks isn’t just a mystery, but a multi-genre feast drawing on Trigger Keaton’s long career on television shows you’re more likely to see on some random local channel at 3 AM than getting big reunion specials on HBO Max.
This is a comic that can go from a heartfelt anti-suicide PSA to a no-holds-barred street brawl, with Starks and Schweizer playfully blurring the lines between fact and fiction. Each of the six sidekicks have a distinct personality that draws on different Hollywood archetypes from the failed, recast child star to the child star with a career in another field, the professional athlete who’s crossed over into acting, and more. They’re introduced in a funeral scene that feels more like reading through the guest list of a flyover state comic con, but it’s an effective way to introduce a large ensemble cast and get to the fun ass kicking bits.
The upcoming Stuntman War teased at the end of the issue does seem like a distraction rather than a compelling plot point, but I really wanna get to know this motley crew a bit more. On a craft level, I also want to continue to bask in the comedic alchemy of Kyle Starks and Chris Schweizer because a well-placed beat panel or reaction shot can make a funny line a laugh-out-loud one.